That’s true of even my favorite segment in this one, “Stowaway,” the directorial debut of the great Kate Siegel, from a script by her husband, Mike Flanagan. I responded so strongly to this one because it doesn’t feel like other “V/H/S” segments. First, it’s truer to the title, actually looking like something found on a tape that’s been recorded over a dozen times. Second, it’s not reliant on disorientation, even if what Siegel chooses to hide gives it strength.